![]() Above: The main contributors to these pages: (L to R) Tim Harris, Andrew O'Day and James Spence. |
Welcome to my web pages dedicated to my favourite TV series of all time, Doctor Who. I've been watching this series since the late 1960s but loved it since Jon Pertwee was the Doctor: his years are still my all-time favourite. It was must-see TV back then, a long week in between each episode with very few chances of repeats. In fandom terms it was the 1983 'Twenty Years of a Timelord' event at Longleat, Wiltshire, which finally pushed me to start taking an interest in that area of appreciation. Eventually joining the 'Doctor Who Appreciation Society' (referred to as DWAS by most, and Dee-Double-You-Eh-Ess by a few) I met up with a few fellow fans in the Oxford Local Group (on Sunday 8th June 1986). I have enjoyed the series since its return in 2005 and I think Matt Smith is an especially good Doctor: I hope he stays for a while. It's sad to hear that Karen Gillan will be leaving (along with Arthur Darvill?) during Matt's third series as this feels too soon and doesn't feel like we should be at the end of their story just yet. There are many, many pages / web sites dedicated to Doctor Who on the intranet, and this made me hold off from doing my own for years, after all pretty much everything has been covered already and been covered well. Then I thought "What the heck".
Tim Harris (Sunday 8th January 2012) |
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Below: List of pages on this website |
| From William Hartnell to David Tennant | |
| Bad stories and bad moments of stories, from Hartnell to Smith | |
| Every story from 1963 to 1996 sparsely reviewed in brief. | |
| How I've celebrated all things 'Doctor Who' since 1968 (the earliest I remember watching it) | |
| The second set of cards produced by Weetabix (1977) | |
| The 1983 20th celebration at Longleat - Ephemera relating to this amazing Doctor Who event | |
| The 1983 20th celebration at Longleat - Pics of the grounds and studio sets | |
| The 1983 20th celebration at Longleat - Pics from autograph and interview sessions | |
| Photos taken at the Longleat exhibitions during the late 1980s / early 1990s | |
| Photos taken at this 1993 exhibition | |
| Andrew O'Day and Guests Page 1 | Andrew O'Day with: Sylvester McCoy, Colin Baker, Peter Davison and companions |
| Andrew O'Day and Guests Page 2 | Andrew O'Day with: Tom Baker, Nicholas Courtney, Elisabeth Sladen, Frazer Hines and others |
| Andrew O'Day and Guests Page 3 | Andrew O'Day with: Anneke Wills, Michael Craze, Anthony Ainley, Peter Purves and others |
| Andrew O'Day's photos from early Doctor Who conventions | |
| The few autographs I've collected relating to people connected to Doctor Who | |
| Below: Doctor-Who related essays written by Andrew O'Day as part of his profile pages. | |
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My Minimal Reviews of 'Doctor Who': 2011 Series (aka series 32, aka series 2, 7, whatever?) |
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| Episode Title | Review |
Score Out Of 10 (10 being the highest) |
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| 1 | The Impossible Astronaut | I've now seen these first two episodes of the series
three times and by crikey they simply get better and better on each
viewing. The creaures belonging to The Silence are a fantastic creation,
and whilst they are sparingly used, are amongst the greatest-designed
aliens of the series in its entirety. There is so much going on in these episodes but they do not feel as cluttered as, say, Big Bang or The Wedding of River Song. |
8 |
| 2 | Day of the Moon | But, what happened to the girl immediately after Amy fired the gun at the end of the previous episode? What happened during the three months? Why is none of this explained on screen? Annoyances on this aside, another great episode. | 8 |
| 3 | The Curse of the Black Spot | Shades of Anne Droid. Not very interesting. | 3 |
| 4 | The Doctor's Wife | Highly imaginative and highly effective. But: OMG, they killed Rory! Again! Whether for real or imagined, this is getting tedious. If Rory ever permanently dies it's really not going to feel very effective. Rory is always 'dying'. | 9 |
| 5 | The Rebel Flesh | Dreary, with a highly predictable cliffhanger. | 3 |
| 6 | The Almost People | Almost interesting in places, with a highly unpredictable cliffganger. | 5 |
| 7 | A Good Man Goes To War | Cybermen really are easy to wipe out aren't they? Although the 'revelation' about who River Song is was hardly a surprise it was nicely handled. Aside from this the episode was a bit flat; the episode builds up to the Doctor's appearance then, once he appears it comes across as business as usual. There's some anger displayed, but not enough to live up to the title. I really liked the Silurian and maid, they would be welcomed back should they ever appear again. The Sontaran, much as I winced at first when I saw he was almost a jokey character, I also grew to like a lot and he, for me, is second only to the great Lynx from The Time Warrior. Negatives about this episode: establishing the background of a married couple only to have one of them killed virtually straight away. The point being? The other main negative is that the episode seems only to exist to establish who River Song is, it is not a particularly epic episode with which to take a mid-series break. My thoughts at the end of watching it seemed only to consist of the words 'So what?' |
6 |
| 8 | Let's Kill Hitler | Rather more background info given than I expected (I thought it
might be given in episode 13) and River was brilliant. I loved this. DW Confidential shows the filming of the scene where Mels lays 'dying' and contains extra lines (in black below):
Mels: When I was little I was gonna marry you Doctor: Oh. Good idea, let's get married. You stay alive and I'll marry you, deal? Mels: Cross you heart and hope to die? Doctor: Yeah, yeah, of course, twice. (which would then presumably be followed the the next line as broadcast:) Mels: Shouldn't you ask my parents' permission? (I mention this mostly because I liked those lines and wish they'd been left in.) |
9 |
| 9 | Night Terrors | Very atmospheric though I wish the dolls had turned up sooner. If only 'Fear Her' had been given such treatment. | 8 |
| 10 | The Girl Who Waited | Karen Gillan gives a brilliant and authentic performance as the older Amy who has waited and waited for the Doctor and Rory to find her. Bitterness, sadness, what a great actress. Whereas other productions (either in Doctor Who, Star Trek or any other series) have used excessive (unconvincing) layers of makeup and hair to suggest age, here the makeup for the older Amy is unusally subtly applied and is all the more real because of it. This episode ends on such a downcast ending it reminds me of when William Hartnell's Doctor leaves Susan behind on Earth to what must have been an unknown future, albeit here Matt Smith's Doctor knows only too well the future of older Amy. This episode has such a small cast (the three main Tardis inhabitants, older Amy and hospital voice) and yet in terms of intent, emotion, and depth it is virtually without parallel in Doctor Who. | 9 |
| 11 | The God Complex | I really did not like the bulk of this one, I liked the last few minutes though. Easily my least favourite 11th Doctor episode so far and only just beaten by 'Fear Her' as least enjoyable episode since the series returned in 2005. I would find it a struggle to make the effort to watch this one again. | 1 |
| 12 | Closing Time | A light funny episode and very good it
was too. A nice touching scene was where the Doctor sees Amy and Rory in
the shop, and sadness also came through at times with the Doctor emoting
his lack of time left to live. It was nicely and subtly done and this
episode achieved more in setting the tone for a final adventure for the
Doctor than the dreary The End of Time did for the tenth Doctor. The Cybermen were yet again defeated oh-so easily but, for once, this does not jar too much as this is a story about the Doctor and Craig, and of the Doctor's last day. |
8 |
| 13 | The Wedding of River Song | LIke The Big Bang this was a
jumble of images and ideas with the Doctor at the centre; like The
Big Bang everything was reset at the end. The Silence are one of the most interesting enemies in the history of Doctor Who and whilst they are sparingly used yet again, they were effective when used. Amy's very real response to allowing the kidanpper of her daughter, Kovarian, to be killed by the species she works for was also very effective and showed that River got some of her characteristics from her mother. Due to the jumble of assaults on the senses one or two things do almost pass you by. The death of The Brigadier for instance. Had this been the focus of the episode at the start it might have come across as more than a throwaway scene that you forget the moment the next assault on the senses comes along. It was a nice idea to do something to mark the passing of The Brigadier though, and I'd like to think that, whilst the 11th Doctor only got to hear about his death, in a former incarnation the 7th Doctor had been by his bedside when it happened. So the Doctor tricked River into 'marrying' him just so he could reset everything (again)? Great stuff. I really like the relationship though, and look forward to more encounters. As for how the Doctor got out of his own death, whilst not wildly surprising, it was still deftly handled. I was hoping we'd find out about how photos of Amy and a baby end up in an orphange in America but this, like the explanation for the exploding Tardis from the last series, are yet to come. Overall, I thought everything had been thrown into this one, that there were too many unecessary distractions and that a simple battle against Kovarian and The Silence would have been more effective. The corresponding Doctor Who Confidential was a good one to finish on; I liked the section with River telling her history so far but as per her timeline, it was a nice Coda to the last three series, and was as much a mini episode as Death Is The Only Answer, the Script to Screen episode written by school children. Farewell Confidential, we'll soon be bidding farewell to The Sarah Jane Adventures too, and Torchwood, well, who knows? Doctor Who will return however, and even though it's over 40 years since I first started watching the series, this is something to look forward to. |
7 |
| The Doctor, The Widow and the Wardrobe | I suspect this will be one I'll enjoy
more on second viewing; it's well cast, it has a very polished look
about it but by halfway through my attention span was wandering onto
other matters and found myself not engaged enough to care what happened.
The last scene with the Doctor, Amy and Rory was nicely done and easily
the highlight of this special. I only wish they had been in it more: it
seems to be case now that a guest star is more important than the
regular companions and is a trend I wish would stop. The audience figures and appreciation index show how popular this special was, and it's pleasing that, even if I didn't particularly enjoy it, that I seem to be in the minority. |
4 | |
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My Minimal Reviews of 'Torchwood: Miracle Day' |
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| Episode Title | Review |
Score Out Of 10 (10 being the highest) |
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| 1 | The New World | People stop dying: not a great hook for a series. Turns the old 'world's population in peril from being killed' scenario upside down (no one is in peril) and is all the less interesting for it. | 5 |
| 2 | Rendition | Not much sci-fi here, and why does this series feel like it's more padding than plot? | 5 |
| 3 | Dead of Night | Immensely dull: the whole government-agency-with-people-working-for-the-bad-guys shstick has been done to death in many other series (24 in particular). | 2 |
| 4 | Escape to L.A. | Hello, this has started to get interesting now: even Oswald Danes seems to have a proper place in this plot now. I can live without all the family plots going on though: father, sister, nieces, husband, father - borrrrring! Bring on the sci-fi! | 7 |
| 5 | The Categories of Life | Back to being dull. There's a real sense that this could all have been done a lot faster. | 5 |
| 6 | The Middle Men | Really losing interest now, much as I like Jack, Gwen, Rex and Esther. | 5 |
| 7 | Immortal Sins | An interminable time spent showing what went on with Jack and what's-is-name in 1920s New York. The scenes between Jack and Gwen were good though. | 6 |
| 8 | End of the Road | Another episode that seemed not to have much to do with the actual plot: Jack's New York boyfriend not dead, then is dead, so what? Alien technology under the floorboards, so what? | 6 |
| 9 | The Gathering | The Blessing looks visually unimpressive but finally, finally, the plot is building to some kind of climax. Whatever this has actually been about. | 7 |
| 10 | The Bloodline | If this had been the last part of a tight 5 part
series I would have said how brilliant the series was. As it stands,
this is simply a brilliant episode at the end of a sedentary, almost
somnambic bore. Although Jack has been shown to come back from the dead many times this episode has such a fatalistic feel that I doubted that this would happen this time. I was also surprised to see Rex come back to life, but the episode runs at such a pace that even something that perhaps in retrospect seemed 'obvious', was a complete and welcome event. I'd been expecting Rex to die at the end of this series, I was surprised it turned out to be Esther. Now that Rex lives as Jack lives, could it mean there's now debate as to who becomes The Face of Boe that we saw in Doctor Who? Although Jack refers to his nickname as being that, hmm, maybe there are two big heads who live for billions of years? My only negative against this episode is that the Three Families, a dull enemy, lives to plot further dullness. This was something I'd been dreading would happen and should they be involved in any future series this would not endear me to it. That brings it further into typical TV thriller territory and I'd prefer Torchwood to stick to it's alien background that suggests 'this is where it all changes'. It seems Torchwood faces yet another uncertain future, even before the series began I sensed this may be the last we see, it always seems to be a programme that has to fight for its existence. I really hope this wasn't the last series because in spite of the tremendous cast it was a flat experience overall, and I'd want Torchwood to get back to the greatness of series 2 and 3. More sci-fi, less typical thriller. If Torchwood were to return with a new series I'd hope it would consist of more than one story; 4 or 5 part stories would be great, but a 10 part story has to contain more than episodes relating to plane journeys, car journeys and alien technology under the floorboards. |
10 |
Above: Birthday card designed by my brother Andrew in 2008.
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Pages relating to the contributors |
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| Tim Harris | The Homepage. |
| Andrew O'Day | This is the fully-authorised profile page for the author / editor / actor / teacher. |
| James Spence | James is a keen film-maker and this page is a brief profile of the scientist / actor / editor / producer. |